Benno's who?
Why a Pseudonym...
One day we were able to launch our own products alongside the work that secured our livelihood. These were illustrated stories, in other words: comics. For my brother as the illustrator it wasn't a poblem. It was for me, because I was the one who acquired and processed the orders and some customers (especial the bigger ones) only wanted to deal with someone who understood both, the commercial language and contractual backgrounds. But a CEO who is also an author of comic stories - no way! To understand this, you must know all about the German "Schmutz-und-Schund-Aktion" right after WWII (smut and trash campaign, see: Paul P. Malone, University of Waterloo, CA). In short: Serious business as a "Schmutz und Schund" author wasn't possible, another man had to step in and "Benno Samuel" was born. Years later, after all the publications there was no reason to drop the name, but many to keep it.
The Seventies...
My brother Mike...
...is 3,5 years older than me and he was the child my mother wanted. He read a lot, played guitar and was extremely talented at expressing his thoughts through drawings from a very early age. It was our father who noticed this and enrolled him in an American drawing school with fantastic teachers like Syd Mead and Norman Rockwell. No German school offered anything similar. Following the separation in 1970, my mother continued to pay for his classical drawing education until he graduated and after passing the university entrance exams at grammar school, he had a short interlude in an higher career in a government agency as well as in military (mandatory). In the seventies, unlike me, he spent most of his time at home reading and drawing. The top-level education and the extensive practice certainly makes him one of the best and most versatile artists in Germany.
Mike in the eighties
Knowing in addition that before I joined military intelligence, music critics called me the German Gene Krupa because of my drumming skills in live performances. Now, one could think that my brother and me must have been of interest to some company. But being a young outstanding artist in Germany means less than nothing, when you have neither connections nor money from your family or otherwise. In other words, in the late 70s we were completely screwed in what we were best at and had to start from the very scratch to achieve something as artists, which we did - without any ass-kissing.(Back to "Preface to the production")
The Eighties...
Rest of the story
It is not my style to boast about achievements, but it is important in the spirit of the new task, which is also revealed with this website, to create trust and to make it clear that everything we do has been and will be done correctly.
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